Posts Tagged ‘works on paper’

Seasons Greetings with Best Wishes for 2020!
Mo & Rod (aka Old Man Crow)

digital print of moonsong Mo19
printed on Hahnemuhle Photo Rag Satin 310 gsm
mounted on Canson Edition Antique White 250 gsm paper
edged with knotted & stitched cotton string & cotton rope bound with no 18 natural linen thread

PS it’s December 19th, 2019 my iMac is giving up the ghost
to quote Captain Lawrence Oates of the Antarctic ( but not so heroically)

“I am just going outside and may be some time.”
x fingers will see you with a new confuser next year!

Owl Rock

Posted: September 25, 2019 by Mo Crow in It's Crow Time
Tags: , ,

Owl Rock Mo 19
graphite, ink and watercolour
Sentinel Mo Okiszewski 19
Once upon a time, long, long ago (millions of years ago) there was a rock. Simple lifeforms developed on it and around it. The simple lifeforms slowly evolved into more complex lifeforms and the rock, even more slowly, aged and weathered. Dinosaurs came and went, homanids came and evolved. The rock, the sentinel, bears witness.
garden guardian whose ancient eyes hold deep time and spirit of place.
I found the owl rock in a creek crossing on the Wombeyan Caves Rd in the Southern Highlands in 1988
he has lived in every garden ever since, a powerful being, a delight to draw
” ‘But why do I need to learn to draw?’
‘You don’t. But it’s a good way to learn to pay attention. To really see what you are looking at, instead of what you expect to see.’ ”
from ‘Someplace to be Flying’ by Charles de Lint

we caught the train up to see Essentiae at Gallery One88 in Katoomba
Colleen Southwell’s work is astounding
detail of her flannel flowers
Colleen has such a fabulous eye for the exquisite beauty of Mother Nature
then we walked up the road to visit the Three Sisters
the wild beauty
a seriously steep walk !
the long view
with the blue of longing
Eucalypts
have such beautiful bark and form
feeding the dream of moving to the mountains
now it’s time to get back to drawing a few of my favourite things
a few of my favourite things Mo 19
graphite and watercolour on A3 Canson drawing paper
starting from the left
steel and red velvet box by Olga Cironis
invitation card detail of Hideous Human Angel # 6 by eX de Medici 2008 for the Sold Out show at Boutwell Draper Gallery
Crania Anatomica Filigre 2011- 3D printed skull by Joshua Harker with a feather from Michelle Slater
Kokopelli card by Carol Duprey 2005
Crow card by Glenda Jones 2004 for her Lustre exhibition at James Harvery Gallery
SW magic gourd by Carol Duprey 2004
sand dollar
Skull Mug by Jenny Orchard 2013 with crow feathers and The Cat’s Whiskers (a wand for seeing in the dark)
Pod 2015 by Bronwyn Berman
card with blue cat on  XVII century tile panel, Fronteira Palace, Lisbon Portugal
SW magic gourd container by Carol Duprey 2004
wood rose
print of the Letter D from An illuminated Book of Cats from an odd perspective
Crow feather for flying
parchment stars

x fingers our internet connection is working again after a very wobbly week
the good thing about being offline is having more time for focusing on the drawings
and mending Old Man Crow’s jacket
it’s getting lacier
and lacier
reinforcing the edges
and the elbows
he wears it well!
and talking of stitching & drawing we visited the Dobell Drawing Prize at the National Art School on Saturday
Leonie Andrews 365 days 2017
stitched with her eyes closed every day for a year
Jenny Orchard All Tomorrow’s Stories 2018
ink on card
Hyun Hee Lee Winter Letter 2018
ink, cotton, thread, pencil on Korean hanji paper
Stephanie Eather Cave of Altamira (in Brunswick) 2018
charcoal on a huge canvas
Ari Chand Juxtarepository 3 / Catch a fallen star and put it in your pocket 2018
graphite on paper
Noel McKenna Interior A 2018
ink on paper
Wendy Sharpe Ladders to the Sky 2018
gouache on concertina artist’s book
Chris O’Doherty (aka) Reg Mombassa) Robot ‘priest’ with captured Australian, Hunter Valley 2018
charcoal, coloured pencil, glitter on paper
artist talk with Chris O’Doherty (aka Reg Mombassa) George  Gittoes and Wendy Sharpe
you can see more photos here

Honesty Mo 17
Honesty pod, indigo dyed paper, vintage leather, indigo dyed cotton & silk, thread, gouache and ink
Honesty in process
and a new one in process will be adding to this post each day until Saturday when it will be ready to take along to the Bookwerke artist book group at the NSW Guild of Craft Bookbinders
playing with the blues in ink, silk and raw cotton & replaced the moon with some rotted silk and indigo dyed linen
more indigo ink & white gouache backed with watercolour paper to settle the wrinkles
9 passionfruit vine tendrils stitched to the moon with indigo dyed silk, a bit more gouache and ink and 3 vintage white glass beads to define the shoreline, it’s very close to done will have another look tomorrow morning
Honesty for Bookwerke Zine 50 shades of creativity Mo17
H19.5 cm x W13.3 cm
Honesty pod, passionfruit vine tendrils, indigo dyed silk, cotton & linen thread, cord & paper, vintage glass beads, gouache & ink on Arches watercolour paper
the other side

Book  of Honesty Mo17
27cm H x 22cm W x 2cm D
bradel binding, relief sculpted spine, Moulin de Larroque handmade watercolour paper over boards
illustrations graphite and ink on Moulin de Larroque handmade watercolour paper, stitched Lunaria pods
this book has given me so much…

The Book of Honesty Mo17
27cm H x 22cm W x 2cm D
bradel binding, relief sculpted spine, Moulin de Laroqque handmade watercolour paper over boards
it’s almost finished!
here’s a link to see all the double page spreads of Honesty
I love making books, this is the most elegant one yet!
here’s how it went together
each double page spread was first sewn onto 5 linen tapes
a paper stitching pattern with an arrow indicating the top of the page
the spine is strengthened with acid free PVA & muslin between the tapes, then gently rounded with a hammer
the tapes are frayed and glued down to make a smooth interface then cut the text for the spine casing
preparing the covers
the front cover attached, inside edges need trimming and sanding before lining
(those red marks on the white lining are the bit of blood that all my work seems to require)
back cover attached ready for trimming and sanding
front & back covers are lined
there’s still some finishing to do, will post the finale when it’s ready!