Posts Tagged ‘exhibitions’

Tracey Deep Bloom at St Cloche
Tracey weaves such good magic have a look at the catalogue here
the show is on til May 20th
(photographs by Saint Cloche)
In Time at Janet Clayton Gallery
beautiful works by Judith Martinez, James Blackwell, Sophie Conolly and Leonardo Uribe
loved the delicacy of Morse Code by Sophie Conolly
view the exhibition online here
(photographs by Janet Clayton Gallery)

Barry Smith sent all 8 of his Talismans of Love for our Beautiful Broken World!
a few weeks ago Barry wrote about making these talismans over on his blog and they blew me away, now that they have arrived I am even more blown away in real life! Old Man Crow reckons the one with the beads embedded is like finding a treasure in an archaeological dig, like a future foretold fulfilling the dream – Love Is The Answer!
and talking of good magic
we went to Barangaroo Reserve to participate in the 4000 Fish project for Australia’s Invasion Day
to symbolically return 4000 fish to Sydney Harbour
“For the artwork, Emily McDaniel brought together the talents of four Indigenous artists who created visual, audio and sculptural elements responding to the story of the fisherwomen. 
Visitors to the site at Nawi Cove have been invited to scoop water from the harbour and create fish-shaped ice sculptures using cast moulds.
Once frozen, the ice fish are then placed on a large canoe moored at the end of a pontoon.
The warmth of a flame and the setting sun melts them, symbolising their return to the waters of Warrane (Sydney Harbour).”
carrying the cast fish back to the canoe
a way of giving back
a beautiful ceremony of healing for our beautiful broken world
deep magic is afoot
on so many levels

Woven in Winter at Sturt Gallery
woven forms in basketry, textiles and ceramics
June 11- July 23
Keiko Amenomori-Schmeisser/ Bronwyn Berman/ Patrice Cooke/ Karen Farrell/ Tracy Luff/ Tracey Mitchell/ Brooke Munro/ Catriona Pollard/ Shona Wilson
in the foreground is the amazing Pod forms of Tracy Luff made out of cardboard, hessian and wood
Woven in Winter gallery view
Bronwyn Berman with her woven wonders Reacher, Spindle & Seeker in the window
Spindle copper, casuarina root
Seeker copper, casuarina root, embedded river stone
Patrice Cooke
Fragile Fan and Silent Veins earthenware paperclay
Wall Piece I-IV porcelain
Patrice Cooke
Web Dreams earthenware paperclay
Keiko Amenomori-Schmeisser
Resting shibori & Japanese natural indigo dye on linen
Karen Farrell
Nesting Sites for Forlorn Species
stoneware, satin & crackle glazes, oxides
interwoven with palm fibre, pine needles, shell, silk fibres
Brooke Munro
Passing timber, wire
Shona Wilson
Diatom No.4 norfolk pine, seedpods, plastic
Diatom no.4 detail
Bronwyn Berman
Breathe in love through the heart
handmade paper, lyrebird feathers, echidna quills, beadslichen by mother nature

Carolyn Skinner of Oz Arts Magazine wrote a glowing article about our Crow Book!
now what was it that Dickens said ?… ah thank you Google
“It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of light, it was the season of darkness, it was the spring of hope, it was the winter of despair.”
isn’t it funny (as in odd rather than hilarious) how this is the saddest week of my whole life and the most exciting all at the same time!
On Monday Madeleine of Artsite Gallery sold “Honesty” in ” The GPS has no idea where I am going”
x fingers Dark Moon with Ladder sells too!
the show continues til the 23rd

PS we are missing Ariel so much but all the heartfelt good vibes from around the world are helping heaps

Richard and Old Man Crow exploring 100s of hand cut objects in  Grinding (2013-16) by Yang Mushi
The Dark Matters at White Rabbit Gallery
Richard photographing the zeppelin blowing up in this surreal multilayered photo-video-“painting”
Infinite Landscape 2011 by Yang Yongliang
“The ancients used landscape to convey feeling,” he says. “I use landscape to criticize society”
sublimely carved marble reflecting in AIP-PF (2004) by Chang Nai-Wen
Water Drops (2014) by Kung Wen-Yi and Ko Yu-Cheng
“The artists (each of whom made half the work) celebrate rain as an analogy for the creative imagination. Just as water is the universal solvent and the source of life, they say, so the imagination is an all embracing source of ideas, which must be contained and channeled just as water is.”
beautiful, deep, sublime
so much to reflect on

here’s a link to the preview

flannel-flowers-actinotus-helianthiiFlannel Flowers Actinotus helianthi greeted us at the gates of the Sydney Royal Botanic Gardens
flowerheads-al-phemister“Flowerheads” by Al Phemister
steel spoons and bicycle spokes
pamela-pudandelicate ceramics by Pamela Pudan
you can see lots more photos of Artisans in the Gardens here
and if you are anywhere near Sydney don’t miss Florilegium at the Museum of Sydney
the video in the link is a wonderful insight into the art of botanical illustration
florilegium-book