Posts Tagged ‘exhibitions’

We have lived here in our beautiful old lady of a house for 11 years, the Hoya is celebrating with Fiona & Barry’s Imagine Peace weathergrams and Bronwyn Berman’s beautifully beaded and bound river stone
with so many flowers happening this year!
and we have privacy from the upstairs bedroom window at last!
love how Madeleine set up Holding the Moon at the Collectors Choice show at Artsite
moonsong sold to a museum curator & conservator of textiles and paper from Western Australia,
last year she bought Once in a Blue Moon & the chicken & the egg in 2017
hoping there will be photos of the opening to post soon & thanks to everyone who came along
but the sad news is my beautiful sister in law Debbie had a stroke just as she and my brother Mike were getting ready to go to my Mom’s for Thanksgiving dinner on Thursday, she is in ICU, x fingers she will make a full recovery!

the silly season is upon us !
opening Sunday December 1st from 3-5
preview Saturday November 30th
gallery hours Wednesday to Sunday 11-5 til December 15th
these are my offerings
Holding the Moon Mo 19
moonsong Mo19
see you there!

The Untethered Fibre Artists : Found Narrative exhibition opened last night
Pam de Groot
First You Must Burn
90 x 80 x 40 cm – variable
Merino wool wire, cotton thread
Felting, machine embroidery
“When the nest becomes too small a bird is ready to spread its wings and fly” Matshona Dhliyawo
Jane Bodnaruk
A Process of Vignettes
2.0 x 1.8 x 0.22 m variable
Second-hand shirts, fabric, embroidery threads, embroidery hoops, polyester film
Hand stitch
“In 2016 I sketched my handmade rope from Rope Journey once every week for 37 weeks primarily in pencil on paper. I added fabric and stitch to these sketches toward the end of the journey.
In 2019 I have focused on fabric and stitch as a process of creative discovery. I wanted to discover if the process of working straight into fabric with needle and thread could be effective as an alternative and/or accompanying tool of process for me in finding the narrative.”
Jane Bodnaruk
Unpacked (detail)
130 x 85 x 40 cm
Vintage embroidered tablecloth, vintage embroidery, muslin, fabric, embroidery threads
Hand stitch
‘There are two sides to every story’
Denise Lithgow
Amphora & Amphoriskoi
3 Amphora – 110 x 40 x 27cm, 92 x 42 x 27cm, 83 x 33 20 cm
3 Amphorsikoi – 77 x 37 x 20 cm, 76 x 36 20 cm, 72 x 36 x 20 cm
Merino and crossbred wool, yarn, silk, wire, polyfil, matt varnish
Felting, eco-dyed with Australian flora – Eucalyptus nicholii and Grevillea Moonlight
Carolyn Cabena
Under the Canopy
170 x 110 cm
Cotton, hessian, naphtol and fibre reactive dyes, wax
Silkscreen printing, hand stitch
Under the Canopy detail of Monstera leaves
Cathie Griffith
Conversations
137 x 97 cm
Recycled fabric, tulle, acrylic paint, thread, beads
Painting, stitch
Conversations detail
Kirry Toose
The Curious Minds Anthology
Lost & Found
175 x 100 x 100 cm
Flyscreen, boning, latex, rubber matting, silk, cotton
Silkscreen printing, applique, hand and machine stitch
‘Every artwork takes on its own narrative, finding itself and then becoming illusive in its intent. This wearable creation is the journey of being ‘lost and found’-that clarity of a concept at midnight, losing the intent at the light of dawn.
A lifetime of chasing memories which fade in and out of time and place.’
fabulous details
Kirry Toose
The Curious Minds Anthology
The Other Side – the mechanics of observation
175 x 100 x 100 cm
Flyscreen, boning, metal, silk, cotton
Silkscreen printing, applique, hand and machine stitch
Referenced within the work is a collection of narratives exploring the juncture between facades, metaphors and structure. The form is bound to both the body aesthetic and functionality of the wearable.
The translucent yet strong surface cloth represents the intangible memories of a voyager. Its sometimes to reconcile that time of day – the mechanics of observing the in between – the light and shadows caught out of the corner of one’s eye and in the fleeting glimpses and silhoueittes of past recollections.
The Other Side detail
love those big hooks and eyes!
there is so much more to see so get along if you are anywhere near Sydney
there are lots more photos on Facebook & Instagram

Sculpture by the Sea 2019

Posted: October 28, 2019 by Mo Crow in It's Crow Time
Tags: , , ,

Never Alone Throne Wayne Z Hudson
steel, powder coat
390 x 140 x 190 cm
was the first piece to catch my eye
Silence # 1.2 Pimpisa Tinpalit
wooden doors, rope
180 x 600 x 600 cm
I feel it is my duty as an artist to find harmony between the moments of absence
In the Grey of Daybreak
Koichi Ishino
stainless steel, granite
230 x 200 x 200 cm
Ouroboros Charlie Trivers
carved laminated eco ply, eucalypt offcuts
350 x 100 x 100 cm
‘Ouroboros’ is an ancient infinity symbol of constant rebirth and renewal. This sculpture is carved and constructed out of timber, responsibly sourced and recycled. Metaphorically the sculpture materially is carbon stored and given a new cycle of life.
Ouroboros detail
2030 Sam Hopkins
aluminium
580 x 430 x 353 cm
A sight that will soon be all too familiar; a looming skeleton of this once great life giver, now destroyed by the lives it had supported. By 2030 the threat of climate change to ecosystems and the bioclimatic limit of trees will be irreversible.
Capture and Store
Stephen King
siver top stringy bark, blue gum
500 x 300 x 300 cm
A hurricane raged through my district and tore down a million trees. Trees have been taking carbon out of the atmosphere and storing it away since life began. Any significant tree loss counts. “Capture and Store” is a memorial.
Eclipse Lucy Barker
salvaged electrical cables, steel, nickel, cement, hebel block
215 x 125 x 125 cm
One body moves into the shadow of another – E-waste is painstakingly reassembled, designed to spin on its own axis and meet the sky.
Eclipse
detail
Transience Cave Urban
bamboo
400 x 800 x 1600 cm
love how these large woven domes nestle in the landscape so lightly & sustainably, they give me hopeSculpture by the Sea

River on the Brink at the SH Ervin Gallery
Menindee Fish Kill by Melissa Williams-Brown in collaboration with Bonita Ely
Badger Bates – Barka The forgotten river and the desecration of the Menindee Lakes 2011 linocut print 60 x 45cm
we saw this deeply moving exhibition yesterday, it was put together in 4 months in response to the fish kill in the Murray Darling earlier this year
the online catalogue is suberb
Elizabeth Farrelly wrote this passionate response last weekend
How many more fish will die before we start looking after our beautiful broken world?

Linde Ivimey Arno 2009
steel armature, acrylic resin, dyed cotton, natural and cast chicken & fish bones, 24ct gold and ruby
48 x 53 x 35 cm

Gould Creative Spring 1883
Louise Saxton Frida (after Kahlo 1946) 2017-18
reclaimed needlework, glass beads, lace-pins, beading-pins, satin ribbon, nylon tulle, on archival mount board
147 x 101.5 cm
Gould Creative Spring 1883
Louise Saxton Lover’s Eye (after Vermeer c.1665) 2018-19
reclaimed needlework, lace-pins, beading pins, cotton-velvet, nylon tulle, on archival mount-board
90 x 120 cm
Gould Creative Spring 1883
Louise Saxton Pearl (after Vermeer c.1665) 2017-18
reclaimed needlework, lace-pins, beading pins, cotton-velvet, nylon tulle, on archival mount-board
90 x 120 cm

Gould Creative Spring 1883
Ian  Cheesman installation
calf skins, cast bronze arrows
The Vivian Spring 1883
Matilda Davis never ending sabbath of turmoil and true love 2019
oil on canvas, trim.decoration
50 x 40.6cm
Neon Parc Spring 1883
Lore Langredies Survived #1 wall object 2019
cut roedeer hide, MDE
Funaki Spring 1883
26 galleries presented their selected artists in the rooms of the swanky Establishment Hotel for Spring 1883
the lighting wasn’t great and the works were difficult to appreciate in the small rooms but in this 21st C world galleries are trying to make the art viewing experience more interactive, for me & Old Man Crow it felt a bit too gimmicky
the best moment was meeting Louise Saxton in real life, I have admired her meticulous work for years online

spring is in the air!

Posted: July 25, 2019 by Mo Crow in It's Crow Time
Tags: , ,

the first jasmine is out with the beautiful scent of spring in the air!
Magnolia stellata
Magnolia campbelii
we visited The lover circles his own heart at the MCA and were captivated by Maria Fernanda Cardoso’s video On the Origins of Art I-II
these tiny spiders are only 4-6mm in length, the sound of their vibrations was the best magic!
the wonder of nature in the midst of all the madness going down for our beautiful broken world